First Look - 'The Border' / 'Leeds Writers Circle Anthology 2011'

A series of coincidences has led to the next books from Valley Press being published in the same week, their launches held within 48 hours of each other - so it seems only fitting that I bring them to the attention of blog readers in the same post.

I first met Miles Cain in York, at a poetry open-mic event in February of this year, and was impressed (along with the rest of the audience) by his confident, flawless performance skills and the powerful, skillfully-constructed poems themselves.  I planned to sidle up to him at some point and suggest he might be in need of a publisher, such as myself, but he beat me to it - the decision was what you might call a 'no brainer', Miles' poetry was (and is) exactly what VP is about.

The first handout which Miles gave me that night (and the larger selection which followed over email) contained quite a high percentage of fun, whimsical poetry, though still highly crafted work.  I was a big fan of this, and the original title ('Significant Bothers'), but when Miles returned with a proposal for the collection, the comedy poems had been almost entirely thinned out.  After a lengthy discussion, some of them were put back in, and I believe we've now hit on a perfect combination of humour and seriousness - the kind peddled by the likes of Philip Larkin and Carol Ann Duffy, people who Miles very much deserves to be mentioned in the same breath as.

His collection, The Border, was sold for the first time at our Valley Press Reading on Thursday, an event which I hope to have video evidence of soon (you'll find it right here on the blog when I do).  This was also where I first announced the other book this post will discuss - much to the surprise of Deirdre McGarry, who appears in it but hadn't heard anything since submitting her poems for it in the Spring!  Before we talk about that though, I can't discuss The Border without thanking John Illingworth, who kindly donated the stunning photograph which appears on the cover (and made my job, as designer, laughably easy).  It is absolutely perfect, especially as cars (working or otherwise) appear throughout the book as a sort of running (or not-so-running) motif.  I also can't discuss the book without mentioning its launch, which will be held in York on Saturday 1st October - see this link for full details.

Moving on then.  Representatives of the Leeds Writers Circle contacted me in May, and we soon came to a mutually-beneficial agreement to publish an anthology of their members' work (both prose and poetry) by the 3rd October, when they had secured a plum slot on the Ilkley Literature Festival Fringe in which to launch it.  (See here for details of the event - hope you can make it.)  Edited primarily by Circle members Ian Harker and David Thom, I was astounded by the variety of work in the anthology - it contains something for every taste, and yet at the same time I failed to find a single section I didn't enjoy; difficult goals to achieve in the same volume.  I was also astounded by the sheer quality; it is an outstanding literary achievement, which again is difficult to achieve whilst also being as inclusive as possible.  All contributors should be very proud of the work they've produced for the book.

The writing in the collection is loosely themed around life in Leeds; both in the modern day, and in other decades/centuries, so is an essential purchase if you're a fan of that fair city - and of course, I highly advise you to pick one up even if you're not.  Prepare to be converted!  As for the cover, my brief was to create something 'a bit Faber-and-Faber' esque, so I looked to an era I've always curiously enjoyed - the 1990s Faber, exemplified in covers such as this one.  But of course I couldn't just rip them off, so I looked for a repeat-design pattern that fit the book's contents and reminded me of Leeds in general, eventually coming up with the leafy effort above.  There are plenty of trees in the book, but I can't explain why that design reminds me of Leeds - it must be something subconscious.

Should you be tempted to purchase The Border or the Anthology, I hope you enjoy them very much - ebooks are forthcoming, of course, shortly after the release dates, and there should be more news on these titles (and our final 2011 efforts) soon.  Until then, happy reading!